by Diane Ackerman
Poems arrive as meteorites.
Collecting them, I try my best to impart
impulses, the Morse code of the heart,
but I do not understand the vernacular
of fear that jostles me until art occurs,
or why knowing you from afar
spurs hours of working myself into the stars.
Well, I do know, but I fight its common sense:
I try to stabilize us through eloquence.
It's an old story, better told than I tell,
how artists shape what hurts like hell
(usually love) into separate empires
of lust, tenderness, and lesser desires
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